On-Line Exhibits Exhibits Image of War Seminars Digital Archive Project On-Line Store



Enlarge +


Enlarge +


Enlarge +




Hidden in Plain Sight, The First Photographs of the Gettysburg Campaign
by John Kelley


In 1866, Civil War photographer Alexander Gardner published Gardner's Photographic Sketch Book of the War, a remarkable glimpse of the most destructive war on American soil1. The two volumes of the Sketch Book contained 100 significant photographs that visually followed the footprints of the war from the plains of Manassas, to the bloodstained fields in front of Richmond in 1862, to the horror of the dead at Gettysburg, and, ultimately, the surrender of General Robert E. Lee at Appomattox in April 1865. Gardner wrote an in-depth description for each photograph, and labeled each image with its location, the approximate date it was taken, and the name of the photographic artist who opened the camera lens upon the scene of war. Today, the Sketch Book remains a vital resource on the visual history of the conflict and a powerful reminder of the insanity of that 19th century war.

Within the visual splendor of its volumes, the Sketch Book has, almost inconceivably, kept a few secrets hidden. I uncovered one of them. The story of that discovery spans more than 25 years. It concerns Plate 32, photographer Timothy O'Sullivan's view of pontoon bridges on the Rappahannock, which was taken about a mile and a half south of Fredericksburg, Va., at Franklin's Crossing, named for the Union general who first established it in December 1862. Although Plate 32 is dated May 1863, I came to discover that Gardner incorrectly dated the image. In fact, it was taken in June 1863, and what it shows is a broad panorama taken at the time General John Sedgwick's 6th Corps of the Army of the Potomac was on the western side of the Rappahannock River looking for General Robert E Lee's Army of Northern Virginia. As O'Sullivan's lens captured the distant Confederate-held heights behind the pontoon bridges at Franklin's Crossing, Lee's First and Second Corps were already marching north in an invasion that would end nearly a month later at Gettysburg. Gardner, incredibly, hid in plain sight for more than the last 140 years one of the first images of the Gettysburg Campaign.

Plate 32
As he photographed the pontoon bridges across the Rappahannock River near Fredericksburg in June 1863, photographer Timothy O'Sullivan captured the ghostly images of Union soldiers moving through the gulley to the open plain beyond (left detail) and the distant Union artillery units (right detail) standing ready to respond to any Confederate threat from Marye's Heights, about a mile beyond their location.

Several key facts establish that Plate 32 dates to early June 1863, rather than May. First, the amount of foliage on the trees indicates June rather than May. Other images taken at this site that have been positively dated to May 1863 show bare and early budding trees, while the trees in Plate 32 are at full foliage. Second, other than the first two days of May, when pontoon bridges were laid at the crossing as part of the Union efforts in the battle of Chancellorsville, there were no pontoon bridges at that location in May, my research shows. By dawn on the morning of May 3, 1863, Union engineers had removed the pontoon bridges from Franklin's Crossing and they would not return to this site until June 1863, when they were built for General Sedgwick's reconnaissance2,. Third, in the Western Reserve Historical Society, I discovered a third O'Sullivan image of pontoon bridges at Franklin's Crossing photographed the same day as Plate 32, and this image is dated June 7, 1863, which was four days after General Robert E Lee commenced his march north to Gettysburg.

Plate 31
In Plate 31 of Gardner's Photographic Sketch Book of the War, which immediately preceded his image of the pontoon bridges, O'Sullivan depicted Battery D, Second United States Artillery, which was one of the units on the distant open plain visible in Plate 32.

With Plate 32 established as having been taken in June 1863, it becomes linked in time and location with the Sketch Book's previous photograph, Plate 31, which shows Battery D of the Second United States Artillery. In this case, the evidence is right there in plain sight in the Sketch Book's narrative for Plate 31, which explicitly links the image to the June 1863 crossing. In fact, the narrative for Plate 32 also describes the June 1863 crossing, even though the image itself is dated May 1863.

For me, uncovering the historic significant of O'Sullivan's image was an amazing personal quest. My journey began in the late 1970s when I bought the Dover reprint of the 10 volumes of Francis T. Miller's Photographic History of the Civil War, published in 1911. The thousands of photographs in those volumes fascinated me and ignited an overwhelming interest in Civil War photography. I consumed every book I could find, poring over images that revealed a Civil War far different from the descriptions of Bruce Catton. I was not a professional historian. I was an educational sales representative for a publisher and had to make a living. In 1978, my wife, Norma, gave me for my 40th birthday the Dover reprint of Gardner's Sketch Book. Paging through that volume was eye-opening experience. I'll never forget looking at Plate 32 for the first time. The more I studied this photograph the more questions I had. Why did O'Sullivan photograph Franklin's Crossing? Did he expose the wet plate negative just to capture the pontoon bridges in the immediate foreground, or was he attempting to tell us what was going on in the entire scene? What prompted O'Sullivan to point his camera at this crossing?

In 1978, this was the only image of the crossing that was well known and available to a general viewing audience. I had no idea if there were more photographs of the scene and I did not have the time or money to travel across the country to historical societies or other depositories to see if there were more. More importantly, back then, 29 years ago, I did not question the May 1863 date. I believed, as the caption to Plate 32 indicated, that O'Sullivan had photographed Franklin's Crossing early in May during or immediately after Chancellorsville campaign. My interest at the time was only on the image and what you could see and identify in it.

Using a newly purchased Omega Photographic enlarger, as well as a magnifying camera lenses for my 35mm camera, a photocopy stand, and photographic copying material, I began to systematically investigate Plate 32, enlarging segments to examine any military activity that existed in the distant open plain and on the riverbank. The enlargements I made of Plate 32 were fascinating in what they seemed to reveal. On the west side of the river, ghostly images of soldiers trudge up a gulley toward the plain in front of Marye's Heights, which was enveloped in early morning mist. Or was it possibly the smoke of rifles or cannons from the battle of May 3, 1863? I was convinced the image actually showed a possible clash going on between Confederate and Union forces. This would have been during the so-called second battle of Fredericksburg, which was part of the overall Chancellorsville contest. I even wrote to photo historian William Frassanito in 1979 of my belief that O'Sullivan's Plate 32 may have captured a battle in progress. He quickly and rightly informed me that I was searching too hard to find a battle scene! Plate 32, as it turned out, was still a very significant photograph, but the reason why still remained hidden. After 1979, I put Plate 32 aside. My interest in American urban history prompted me to concentrate my time and efforts on the incredible photographs of Atlanta by George Barnard.

In the late 1990s, I revisited Plate 32. By this time, I was aware of another image of the scene. In the 1980s, I had noted that in Volume 3 of the Image of War series on the Civil War, The Embattled Confederacy (1982), is a second photograph of Franklin's Crossing that had originated from the Minnesota Historical Society. This second image of Franklin's Crossing was also taken by O'Sullivan and was also dated May 1863.3 This date, as it turned out, was also incorrect. O'Sullivan's camera had focused on the same two pontoon bridges shown in Plate 32. In the second image, an artillery battery is clearly seen at rest along the immediate west side of the Rappahannock River from a slightly different camera angle. When I saw this image, I still made no connection with the events of June 1863 because I still had no reason to question the May 1863 date.

But, in the late 1990s, I began a more detailed analysis of the two images at Franklin's Crossing by O'Sullivan, as well as other images by the United States Military Railroads photographer, Captain Andrew J. Russell, that were presented in the Time-Life volume, Rebels Resurgent. Time-Life provided solid evidence that Russell's images were taken between April 29 and May 2, 1863. But when I compared Plate 32 with Russell's images of Franklin's Crossing, I saw the first evidence that Plate 32 was not taken at the same time Russell photographed Franklin's Crossing. In the Russell photographs, the trees were barely budding and not in full bloom as they were in Plate 32.4 Then, in Time-Life's volume, Gettysburg, I discovered another dramatic view of Franklin's Crossing, looking east from the west bank and dated June 1863, with the foliage at the same level of growth as in Plate 32.5 This was the first indication I had that the crossing was photographed in June 1863, and I began to suspect that Plate 32 was among the images taken at this time.

By 2003, as I prepared for a Westchester Civil War Roundtable presentation on the photographs at Fredericksburg, I had sufficient evidence to conclude that Plate 32 had been photographed in June 1863 and not May 1863. I also had the finest reproduction of Plate 32 that I had ever seen. The digital reproduction of Plate 32 from Delano Greenidge's 2001 publication of Gardner's Photographic Sketchbook of the Civil War gave enormous clarity and incredible detail to the image as well the other 99 images. In Plate 32, not only were there ghosts of soldiers, but an array of artillery evenly stretched across the plain directly in front of AP Hill's 20,000 Confederates.6

While the photographic evidence supported the June 1863 date, I researched the events from late April through June, 1863 to answer one key question: When did the Union engineers construct and remove pontoon bridges at Franklin's Crossing? My investigation revealed that the pontoon bridges for the Chancellorsville campaign were removed from Franklin's Crossing during the early morning hours of May 3, 1863 and did not return until June, 1863, when they were built for Sedgwick's reconnaissance.

While I was completing my research for my "Embedded with the Troops" talk in August, 2004, at the Image of War seminar in Fredericksburg, Va., the last important piece of evidence in this remarkable story fell into place -- my acquisition from the Western Reserve Historical Society of a copy of another photograph of Franklin's Crossing - this one dated June 7, 1863!

When O'Sullivan set up his tripod at Franklin's Crossing on June 7, 1863, he stepped into the vortex of history as the first military operations of the Gettysburg Campaign began. Three weeks earlier, on May 14, President Lincoln met with General Joseph Hooker at the White House and advised him after the blood letting and defeat at Chancellorsville not to commence further offensive operations by once again crossing the Rappahannock River, but "keep the enemy at bay and out of mischief."7 On that same day General Robert E Lee traveled by train to Richmond to seek President Jefferson Davis's approval to invade the North. The job of keeping a sharp eye on Lee's movements fell upon the shoulders of Colonel G.H. Sharpe, head of Bureau of Military Information, who a week later reported strong intelligence of an imminent major Confederate offensive. On Wednesday, June 3, four days before O'Sullivan photographed Franklin's Crossing, the Army of Northern Virginia began its first move north to Culpeper, Va. Two days later, General Lee directed General A.P. Hill's 3rd Corps of 20,000 confederates to hold Marye's Heights and "deceive the enemy and keep him in ignorance of any change in the disposition of the army." In the late afternoon of June 5, 1863, General Hooker ordered General John Sedgwick's 6th Corps to lay pontoon bridges and attack across the Rappahannock River "to learn, if possible, what the enemy are about."8

This Union action caused Lee to halt his 2nd Corps' march to Culpeper until he determined General Hooker had not reinforced Sedgwick's reconnaissance9. But the Union occupation of enemy territory on the west bank of the Rappahannock soon became a backwater to more important military actions, and on June 13, 1863, Sedgwick withdrew his forces to move north with the rest of the army to find Lee's army. But on June 7, O'Sullivan took advantage of an incredible opportunity to photograph the army as it held ground in the face of the enemy, and here he made what became Plate 32 in the Sketch Book. A few hours before or after he made Plate 32, O'Sullivan crossed the Rappahannock River, traveled to the guns of Battery D, 2nd U.S. artillery, less than a mile from Confederate A.P. Hill's strong defenses and photographed their military readiness. He was truly embedded with the troops.

After O'Sullivan completed his work at Franklin's Crossing, he traveled with the Union army as it moved to meet Lee's forces nearly a month later at Gettysburg. Although a number of photographers made images at Gettysburg, O'Sullivan was the only photographer to capture scenes throughout the campaign, and these are also right there in Gardner's Sketch Book notably Plate 3, Fairfax Court-House, June, 1863; Plates 31 and 32 (already noted); Plate 33, Evacuation of Aquia Creek, June, 1863; Plate 34, Group of Confederate Prisoners at Fairfax Court-House, June, 1863; and Plate 35, Gettysburg, Pennsylvania, July, 1863.

The correct dating of Plate 32 has strengthened the historic significance of the Sketch Book as the earliest and most complete photographic coverage in a single publication of the Gettysburg Campaign. Perhaps there are more secrets to uncover in Gardner's Sketch Book, awaiting only the skillful use of a looking glass, the careful examination of a high-resolution scan (in place of my Omega enlarger blow-ups), or the dogged pursuit employed by a dedicated photographic researcher.



Supporting Images

Franklin's Crossing - #1
On May 1, or 2, 1863, photographers Captain Andrew J Russell, or Egbert Faux photographed Franklin's Crossing more than a mile south of Fredericksburg, Virginia. Note how bare the tree limbs are in this image.


Franklin's Crossing - #2
On June 7, 1863, Timothy O'Sullivan photographed Franklin's Crossing at least three times from the west bank of the Rappahannock River. Compare the foliage surrounding the pontoon bridges and embankment with Franklin's Crossing #1. Please note the date of June 7, 1863 in the bottom left corner of the photograph.



Post-Scripts

How dangerous was it to be out on the plain in front of General AP Hill's Confederates on Marye's Height at the time Timothy O'Sullivan photographed Plate 31?

Colonel Wesley Brainerd of the 50th New York Volunteer Engineers wrote an excellent description of this hazardous experience.

"The Soldiers of th VI Corps were soon strongly entrenched in their semi-circular position and, having accomplished the object of the movement, made no further efforts towards an advance. The enemy, alarmed at the foothold thus gained, endeavored to drive us out. No assaults in large masses were made but the constant picket firing which was kept up for several days became very bitter and deadly. From 50 to 60 per day was our average loss and we thought that of the enemy much greater. We completed two bridges, so that our facilities for keeping up supplies or for a sudden retreat were ample."



Footnotes

     1 Alexander Gardner, Photographic Sketchbook of the War, New York, 1959, Plate 32.
     2 John Bigelow, Jr., The Campaign of Chancellorsville, New Haven, Page 335.
     3 "The Embattled Confederacy," Volume Three, Image of War, Ed., William C Davis, Garden City, NY, page ;84.
     4 William K. Goolrick and Editors of Time-Life Books, The Civil War, Rebels Resurent, Alexandria, Va. Pages 162 - 171.
     5 Champ Clark and Editors of Time-Life Books, The Civil War, Gettysburg, Alexandria, Va. Pages 14 - 15.
     6 Alexander Gardner, Photographic Sketchbook of [American] Civil War, Ed,. Delano Greenidge, New York, 2001, Plate 32.
     7 Library of Congress, A. Lincoln Papers, Letter of May 14, 1863 to General Joseph Hooker, Web Site.
     8 WWW.Ehistory.com, Primary Sources, The War of the Rebellion, Official Records,
       Gettysburg Campaign, Series 1, Vol. 27, Part 1, Page 32 - 33.
     9 Douglas South Freeman, R.E. Lee, A Biography, Volume III, New York, Page 27.




Bibliography

Primary Sources
  • Lincoln, Abraham, Lincoln Papers, Library of Congress Web Site, Washington, D.C.
  • The War of the Rebellion, Official Records, Gettysburg Campaign, Volume 27, www.ehistory.com
  • The Wartime Papers of R.E. Lee, Ed., Dowdey, Clifford, Virginia Civil War Commission, Bramhall House, New York, 1961.
Secondary Sources
  • Bigelow, Jr., John, Major, US Army Retired, The Campaign of Chancellorsville, A Strategic And Tactical Study, Yale University Press, New Haven, 1910.
  • Clark, Champ, and Editors of Time - Life, The Civil War, Gettysburg: The Confederate High Tide, Time - Life Books, Alexandria, Va. 1985.
  • Coddington, Edwin B., The Gettysburg Campaign, A Study in Command, Charles Scribner Sons, New York, 1968.
  • Gardner, Alexander, Photographic Sketchbook of the War, Dover Publications, New York, 1959.
  • Gardner, Alexander, Photographic Sketchbook of the [American] Civil War, Ed., Greenidge, Delano, Delano Greenidge Publications, New York, 2001.
  • Goolrick, William K., and Editors of Time- Life, The Civil War, Rebels Resurgent Fredericksburg to Chancellorsville, Time-Life Books, Alexandria, Va., 1985.
  • Sears, Stephen W., Chancellorsville, Houghton Mifflin, Boston, Mass, 1996.
  • Sears, Stephen W., Gettysburg, Houghton Mifflin, Boston, Mass., 2003.
  • Trudeau, Noah Andre, Gettysburg, A Testing of Courage, Perrenial, New York, 2003.
  • Bridge Building in Wartime: Colonel Wesley Brainerd's Memoir of the 50th New York Volunteer Engineers.
    Edited by Ed Malles, Voices of the Civil War, Frank L. Byrne, Series Editor, The University of Tennessee Press, Knoxville, 1997, pages 154-155
  • The Embattled Confederacy, The Image of War, 1861 - 1865, Ed., Davis, William C. , Doubleday & Company, Inc., Garden City, N.Y., 1982.


About the Center Join the Center Press & Publications Contact the Center Links